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Creator Spotlight: Todd McFarlane

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Introduction

Subtitle: The Rebel Who Changed Comics Forever. I planned this article a couple months ago. However, at that time I concentrated too heavily on the articles (which take some time to write) and failed as a result. Since focusing more on Tik Tok (the last two videos are downright viral!) and focusing on only one article a month, I think I can bring the page back from the dead. So, we launch this new feature with Creator Spotlight: Todd McFarlane.

Love him or hate him, McFarlane is like punk rock of comic creators. We tip our hand pretty heavily here when it comes to the old man. Affectionately known as Uncle Todd, we fall firmly in the “love” category. While not everything he touches is gold, he (in the words of wise sage Fred Durst) did it his way. His career is a masterclass in balancing artistic rebellion and business savvy to build an empire from the ashes of his former life.

Early Days: Pushing Marvel’s Limits

Many of us know that McFarlane got his big break at Marvel. Joining David Michelinie on Amazing Spider-Man, he brought a new style to the character that influenced generations of artists. His work on the cover of ASM #300 alone probably launched the careers of dozens of comic book artists.

Younger readers out there probably recognize the black costume from the Venom movies. Maybe, if you played the video games, you saw a version of the costume there. Yes, it’s true. Uncle Todd helped design the black suit and co-created the character of Venom. That led to several spin off characters, most notably Carnage. He also received the go ahead to write and illustrate his own Spider-Man title.

Image Comics: His Own Way

Frustrated by how Marvel and DC treated their creatives and their creations, he and several other giants at the time broke off and created their own label, Image Comics. Uncle Todd, for his book under the new label, created a character that looked very much like Spider-Man. However, Spawn dealt with much more “adult” issues than Marvel or DC ever touched in the past.

Spawn tells the story of a military man sent back from hell with a symbiote suit (sound familiar?) and powers to help Hell fight battles against Heaven on Earth. Simmons also uses his new found status to right some wrongs along the way. The comic sold 1.7 million issues, a record for a creator owned comic at the time. I, myself, bought the issue thrice. It’s a long story that I told more than once, so I will spare you this time. It wasn’t all wine and roses for the Image crew. Critics called the books the ultimate “style over substance” but rebellious teenagers like me didn’t give a shit what those stuffy dudes thought. I, for one, still don’t.

The McFarlane Legacy: Triumphs and Tensions

Unwilling to rest on his laurels, Uncle Todd spun his comics off into an action figure line. The accuracy and attention to detail also changed the way that action figures are made. Spawn also enjoyed success on the small, with an HBO animated series, and big, with a theater released movie, screens. Maybe success is pushing it some with regards to the movie. While decent, it suffered during a time before Disney and Marvel redefined comic book movies. To his credit, another movie under the Blumhouse label looks to improve on that misstep.

Speaking of missteps, Uncle Todd experienced his share of them. In addition to the fight over the creation of Venom, he also fought against Neil Gaiman for the rights to certain characters. Though, to be honest, now that Gaiman has been exposes as a sex pest, McFarlane maybe dodged a bullet there.

Why Uncle Todd Continues to Matter Today

Image Comics released some of my favorite books. Titles like The Maxx, Pitt, and Spawn continue to entertain me even today. My son loves Invincible. The Walking Dead spawned an entire cinematic universe unto itself. It feels weird calling Image books independent because of the vast range of titles and popularity. However, they remain true to their vision of allowing creators to retain all rights to their creations.

I just mentioned the reboot of the movie with Blumhouse as the distributor. I know people hated their Halloween movies, but I enjoyed them (yes, even Ends), so if it ever happens, I hold out hope they’ll do it justice. His toy line continues to expand with every new IP and retains the reputation for quality. Hey, you know me. I Stan for my heroes and Uncle Todd lives in that space.

The Verdict

I leave it to you, the fans, to decide. I presented the case in this Creator Spotlight: Todd McFarlane. What say you? Uncle Todd: Visionary or Stubborn Relic? If it’s the former, vote below. If the latter, let me know why in the comments.

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Creator Spotlight: Todd McFarlane

Uncle Todd's Most Lasting Contribution

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Love Letter to Spawn 313

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Introduction

The longest running independent comic just keeps on going. Spawn 313 and counting. I’m going to sound like a bit of a broken record here. It’s been up and down for our man Spawn. However, I will spare you the gritty details. If you want to know where the ups and downs are, you can go back about 30 or so issues to get my take on Al Simmons’ recent history.

Don’t say I didn’t warn you. It’s a bumpy ride.

More recently, I ended the previous Spawn issue review article by saying that I’m enjoying the book again and I couldn’t wait for this issue. As I do every month, I read Spawn 313 first. While usually just a practical decision because it’s the only independent book that I still read, so it makes for an easy start to comics week each month, this month I actually read this month with some degree of anticipation.

Sorry for that run on sentence. It happens around here sometimes. I honestly just wasn’t sure where I was going with the thought after I started it. Let’s see if I can’t salvage something from the nonsense. To be fair, I do have some practice.

The Great

The Story: I admit that when this story began I was considering taking a break from Spawn. The up and down that I discussed in the introduction was more up than down. Put simply, I wasn’t enjoying the book very much. Uncle Todd has redeemed himself slightly with the last couple of issues.

I think the main reason for the improvement in the story is that the supporting characters have been much stronger recently. I mean, they’ve been mentioning Cy-Gor and Overtkill for the last 2 or 3 years with little to no payoff. The payoff for these guys hasn’t been huge, but it has been something. He even got me to enjoy Gunslinger Spawn and I never though that would happen. Keep the momentum going.

The Good

The Art: I don’t talk much about art in these articles. Mostly if it’s an artist I enjoy or if the art is great (or more often, terrible), I will say a work or two about it. However, the art is one of the things that brought me to Spawn all those years ago. In a time of Rob Liefeld, Spawn brought us the beauty of Todd McFarlane’s pencils.

The art in this issue isn’t McFarlane or Capullo level. Heck, I wouldn’t even put it in the same category as Ken Lashley from a few issues ago. But, it is serviceable. It doesn’t detract from the story like Jason Shawn Alexander’s art did for a few issues. Sorry, JSA. I know you’ve become a punching bag for the page. I never meant for that to happen.

The Decent

Slow Moving: I think part of my frustration with Spawn is the slow pace of the stories. I mentioned earlier that Cy-Gor and Overtkill have been in the pages of the book for 2 (maybe even 3 years) as ancillary characters that were meant to induce nostalgia in preparation for the soft reboot of 300? I guess.

Like I said, there was some payoff for those guys finally in this issue. One of them got their face bashes in by a massive Hellspawn on a beach. Don’t get me wrong. I do like the story. I just wish Uncle Todd would pick up the pace a bit.

The Verdict

Spawn 313 does continue the forward momentum mentioned in the previous article. The story is still slow moving, which can be frustrating. However, Uncle Todd is giving other characters a chance to shine, which is nice. Also, the art has more often than not been excellent for the past year. I will sign off with the eternal hopes that all continues next month.