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Spawniverse December 2024

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Introduction

Still a bit behind schedule. At least I’m updating from the current month again finally. And, realistically, only about two days behind schedule. I wanted to post the Gaming is a Gift article on Thursday and Spawniverse December 2024 on Friday. Not bad considering how busy the weekend was.

I still haven’t found the proper motivation to record the next episode of Noob’s Book Club. But, similar to the page, once I do, I’ll get back on the new schedule that I put together for myself. If nothing else happens, today should be the day that I record. Be on the lookout for that. Then, all that needs to be scheduled is social media channels. Those are always my weakest, so don’t hold your breath there.

Gunslinger 37

Writer: Uncle Todd, Artist: Carlo Barberi

Quick Synopsis and Thoughts: Monolith threatens and questions someone looking for Gunslinger. Finally, his interrogee gives up the information and promises to take him there. Meanwhile Wynn, in custody, answers some questions of his own. There’s another flashback to Javi’s sister. During a prisoner transfer, Monolith destroys the bus and a few prisoners looking for Javier. When he finds him, he disappears. Now, both the US government and Javier’s father have hit squads out looking for him.

Overall, not much happens in this issue. I mean, at the end Monolith and Gunslinger get together. But, there’s not a ton of action like there’s been in the last few issues. I suppose I should be grateful that Uncle Todd gave us a breather this time. It just feels like a bit of a let down is all. Plus, this looks like a set up for moving chess pieces over the next few issues in anticipation of a big showdown. So, I’ll reserve ultimate judgement until then. My verdict: Decent.

King Spawn 39

Writer: Uncle Todd, Artist: Yildiray Cinar.

Quick Synopsis and Thoughts: While Spawn watches over Sam and Twitch as they investigate a crime in the alley, he gets attacked. They fight and the attacker gets the upper hand. They throw Spawn in the back of the van to take him to their leader. When one pulls back the mask, it reveals the face of his partner. Spawn, having switched places with the man, attacks and nullifies the threat. He then escapes from the back of the van, ready to confront Bludd and his minions wherever they strike.

This one had plenty of fighting and action. Spawn finally worked his way through the ranks and infiltrated Bludd’s troops to attack them from within. He’s still not at the top, but he’s getting closer with every issue. I like this version of Spawn because it reminds me of the very beginning of the book when he fought in the shadows to try to find the answers to his death and rebirth. My verdict; Good.

The Scorched 35

Writer: Layman with Uncle Todd on additional script, Artist: Steven Segovia

Quick Synopsis and Thoughts: Marc deals with the fallout of getting separated from Medieval Spawn. Redeemer and Overtkill help him with some prejudice. Meanwhile, Jessica fights her way out of the Wynn’s clutches. She makes it back to headquarters. The issue closes with The Viscerator revealing itself and its mission to take out Medieval before he can reunite with Marc.

Ever since Layman took over the writing duties, I like this one the best again. Sure, Uncle Todd’s on additional script and you can see his influence. But, Layman’s humor shines through. He also gave all of the characters in the book a purpose, something that was missing early on when I started reading. Even though a team book, it focused very heavily on Jessica. Not so anymore. My verdict: Great.

Spawn 358 and 359

Writer: Rory McConville with Uncle Todd on additional script, Artist: Brett Booth

Quick Synopsis and Thoughts: Spawn and Lyra fight together to get closer to Bludd for the final showdown. It’s shown that Bludd may be allowing them to live, for now, as he uses them to eliminate his enemies. Then, when they finish, he will kill them. Meanwhile, they get news that things cannot remain the way they are. They might need to return to the curse to prevent the decay that’s happening. Lyra refuses, but Spawn thinks there might be another way.

Uncle Todd gave up total control of this one and I think it’s for the better. I’ve always loved his art and his writing has some appeal. But, too often, he suffers from the same malady as Kirkman. He needs people to tell him no. Pull back from things. Let them breathe. And, now that he’s done that, his books are the ones that I look forward to the most. This one, in particular, since the big 350 has been a lot of fun. My verdict: Good.

The Verdict (Spawniverse December 2024)

Overall, Spawniverse December 2024 does not disappoint. I enjoyed every book this month and look forward to where they take us next. Uncle Todd absolutely made the right decision in giving up control of some of the books to allow other voices to build his story and world. Because, right now, those are my favorite of the books.

Images taken from the mothership.

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Rat City December 2024

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Introduction

If I wondered about their ability to support multiple titles in the TMNT universe, then you know I had questions about Uncle Todd’s plan to release 4 more titles in the Extended Spawniverse. When he first launched the main Spawn titles like Gunslinger, The Scorched, and King Spawn, they suffered from awful editing and severely inconsistent quality overall. Even so, anytime I see the Spawn logo on something, I come running to purchase that thing. So, in an attempt to keep the page active and relevant, I review two issues for Rat City December 2024.

Rat City 7 and 8

Writer: Erica Schulz, Artist: Ze Carlos

Quick Synopsis and Thoughts: They’re still world building in this title. It makes sense since they are only 8 issues in. Issue 7 starts with an encounter between Peter and the denizens of Hell. He spends the rest of the issue dealing with that and how his change is affecting Quinlan, who offers to try to make some armor and supplies from the tech they have lying around. Issue 8 spends all of its time setting up a show down between Peter and one of the baddies. During the story, they establish that Peter doesn’t exactly have control of his suit.

While I thought the first couple of issues moved too slowly, I no longer think that. Both of these issues went quick and entertained me. The writer and artist both hit their strides over the last few issues and now I might like this book as much as The Scorched. We have to see if the quality continues. For now, I’m sold. My verdict: Good.

The Verdict

I’m impressed so far with the title and Rat City December 2024 pleasantly surprised me. If all of the other books are able to take this slow approach to world building and story telling, then I have nothing to worry about. Also, I just took a look again at the names on the titles, and I definitely have nothing to worry about.

Images taken from the mothership.

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Spawniverse October 2024

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Introduction

With the soft relaunch last month, I split my comic reviews over three weeks. Furthermore, I needed three separate articles in the last week to cover all of the Marvel comic books. I hoped that by dividing and conquering the many books I now receive that I could cover them better and offer a more reader friendly experience. Plus, I read the other day that Uncle Todd plans to release four new books next year. I definitely made the right decision in that case. For now, I bring you four books for Spawniverse October 2024.

For some reason, no King Spawn released this month. Therefore, only Gunslinger, Rat City, Scorched, and the main title will be covered in this article. I looked to see if the book maybe got cancelled, but the Image web page assures me that books are planned through the end of the year. Hopefully things get back on track for next month.

Gunslinger 35

Writer: Uncle Todd, Artist: Carlo Barberi.

Quick Synopsis: Javier lies in a coma in the hospital. While he convalesces, his memory takes him on a trip to another time when he experienced severe trauma. Facing off against an angel who killed a family, the battle ends up with Javi playing possum and briefly getting the upper hand. However, that victory is short lived as a flock of ravens comes to take Gunslinger away from the battle and into a forest to die. Of course, he didn’t and that brings us back to the present. A present that sees medical staff studying the comatose hellspawn and someone from Javier’s past recognizes him from the news report and wants to find him no matter the cost.

My verdict: The beat em up is interesting enough with the fight going back and forth between Javier and the angel. I think the end left me feeling a little bit empty, but I understand it from a storytelling perspective. The cut from his broken body then to his broken body now makes sense in the context of everything happening. The reveal at the end took me a bit by surprise, but I’d be lying if it didn’t make me excited for what’s coming. As always, Barberi’s art is beautiful and brings the story to life. Decent.

Spawniverse October 2024 – Rat City 6

Writer: Erica Schultz, Artist: Ze Carlos.

Quick Synopsis: The issue opens with a comprehensive history of New York that ends in Rat City. The story draws parallels between Al Simmons returning here when he first became a hellspawn and the same thing happening today (in the future today) with the new Hellspawn. The issue ends with a mistakenly injured person being brought back on the operating table with what looks like the intent of creating some kind of super soldier.

My verdict: The weird “through time” aspect of the introduction of this title intrigued me. While not strictly time travel, it uses a lot of those types of story techniques to illustrate exactly what happened. Because Al influenced the future with his actions, this now influences the story. However, they accomplish this without making it a direct retelling of the original Spawn. Very cool idea and well executed so far. The only complaint I have is that the art looks a bit rushed on some pages. Most are great, but some seem to be missing the detail that takes me a bit out of the story. Good.

Spawniverse October 2024 – Scorched 33

Writer: John Layman with Uncle Todd on additional plot, Artist: Dudu Pansica.

Quick Synopsis: They declare a Haunt dead because all bioscans reveal no life. This leads to a flashback telling of how this creature came into existence. The merger of the recently deceased and his killer, Sam and Twitch stumble on the thing. It makes a getaway before facing off against Spawn. Spawn defeats it. Sam and Twitch end up on the case when they find the remains, but a federal agency takes over and takes the body. The issue ends with this Haunt waking up, recognizing there’s another out there, and vowing to find the other Haunt to drain it of its power.

My verdict: I like the parallel story here, too. Any time you get to go back into the Spawn’s history, it makes me smile. As a teenager, I liked Spawn more than any other book I read at the time and I truly think that it ushered in a new era in comic books. Maybe not right away, but writers and artists who read the book and saw what can be done took that to heart and started realizing their power more. But, that’s neither here nor there as far as this story. I like what Layman has done with the book and hope he keeps writing it for a while. Plus, the art never lags on this one, even with a name I don’t recognize. Good.

Spawn 356

Writer: Rory McConville, Artist: Brett Booth.

Quick Synopsis: This issue gives Lyra’s back story. We don’t know until the end, but she’s telling it to Al. When she finishes, she tells him that if he helps her to get Bludd, then she will become one of his soldiers in his new war. Overall, a decent origin story issue that hits all of the right notes for the character. A tragic beginning complete with a gruesome death. Stories of angels and demons. A brush in with those forces. Training her mind and body.

My verdict: Because I know less about Lyra than some of the other characters, this one proved to have less of an effect on me than the other issues that took us into the past. But, as I wrote, I liked the story. It brought me more understanding of the character. Plus, the fact that she will probably become recurring gives me more of a reason to get invested. Then again, they could always kill her off between now and then. I’ve said it before and I’ll keep saying it. I think Booth’s art most closely resembles Uncle Todd and I’m glad they put him on the flagship title because it fits so well. Good.

The Verdict

The Spawniverse October 2024 continues the incremental improvement of the books month by month. For a while there, I thought that Uncle Todd bit off more than he could chew with the additional books. But, he must have recognized the same because he shook things up, brought in new creators, expanded the universe even more, and the books finally started to hit their stride again. I think he figured it all out because they show little signs of fatigue at this point. And, if I’m being honest, I’m looking forward to the four new books next year.

Images from the mothership

More info on the new books here.

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Spawn 300 End of the Road (Redux)

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Introduction

The Road to Spawn 300 was littered with pot holes and detours. However, we are finally here. And, I have to say, it was worth the wait. Both Chris and I were obviously excited when we heard that Greg Capullo was going to be back for this issue. We both grew up with him as the main artist.

We were both subsequently disappointed because we had somehow convinced ourselves that he was going to be the artist for longer than just the one issue. When we learned that wasn’t going to be the case, I think I suggested that Uncle Todd should sell his McGwire baseball to hire Capullo back as artist.

At least we get him for the next issue, too. Also, he is doing variant covers for the next two. Maybe there is now an open invitation to to covers whenever he wants. As I said to Chris, hope abounds. Now, for my review of Spawn 300. It isn’t exactly like the DC 1000 issues from last year. He invited some other big names to join him. However, the issue followed continuity instead of shorter vignettes. Even so, I will review each story individually like I did with those books.

Chapter 1 (Todd McFarlane and Greg Capullo)

The Spawn meter is back. What’s up with that? Oh well, like Chris said, Capullo’s art is going to ruin me for the return to the regular artist. Aside from McFarlane, Capullo’s art is the iconic style for Spawn. The story is just more creepy little girl kills her family nonsense, But, Violator shows up and there’s some gratuitous ultra violence at the end to remind us what Spawn’s all about.

Chapter 2 (Scott Snyder and Todd McFarlane)

I enjoyed the story from this chapter much more than the first one. It called back to a previous battle between the two antagonists and what happened when they “disappeared” from sight and into the shadows. This was probably my favorite story from the whole issue. Scott Snyder definitely shows that he’s a more seasoned writer than Uncle Todd in this one.

Chapter 3 (Todd McFarlane and Jason Shawn Alexander)

Another story that attempts to fill some of the gaps. This one is about the former Spawn enemies that he reanimated to fight on his side. As Chris texted, and I agree, the art style of Jason Shawn Alexander just doesn’t fit Spawn as much as we’d like. But, the story was decent and, unlike Chris, I’m going to keep collecting until the book isn’t produced anymore. In spite of being almost 30 years old under essentially the same creative control that whole time, it is still surprisingly fresh. I want to see where Uncle Todd takes us next.

Chapter 4 (Todd McFarlane and J. Scott Campbell)

The art of this chapter is great. J. Scott Campbell really nails the Spawn style. However, the story is lackluster. I just don’t give a crap about She-Spawn or her story. Alas, it looks like she is here to stay, at least for the next couple of issues, so I’ll have to get over that.

Chapter 5 (Todd McFarlane and Jerome Opena)

A teaser that does exactly that. No idea what it is or means, but I’m intrigued to learn more.

The Verdict

I like what Uncle Todd did with Spawn 300. It is a “historic” issue in that it tied the longest running creator owned comic book. It is also a nice round number that comic book nerds love. Instead of choosing to tell small vignettes as Detective and Action did with their historic 1000 issues, he continued continuity while also setting up future stories.

Overall, the strength of the writing is what we’ve come to expect from Spawn all these years. It is disheartening to be going back to Jason Shawn Alexander’s art after seeing the other interpretations of the Spawn style. Again, I like JSA’s art and I actually really enjoyed it for the Dark Horror storyline. However, it just doesn’t look like the Spawn that I remember from my reckless youth. Oh well, put it in the “get over it” bucket with She-Spawn and enjoy the ride. Here’s to another 300!

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Spawniverse July 2024

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Introduction

After a successful Fallout from the end of School last month, we come to another celebration on the page. Deadpool and Wolverine releases at the end of the month. That gave me the bright idea to feature Deadpool and Marvel comics. Before we get to all of that, though, naturally, I need to write my comics reviews first. With the TMNT hiatus, that means this month is Spawniverse July 2024.

Gunslinger 32

Writer: Uncle Todd, Artist: Carlo Barberi. A few months ago, Uncle Todd promised new creative teams and new directions for the books. I won’t take direct credit for that, but I will say that I wrote numerous times that the books seemed to have lost their way. He alludes to this during one of the conversations in this issue. I won’t say that the book is all the way back. But, the intro scene with he and Linda made me laugh and I expect more out of the finale because that was far too easy. My verdict: Good

King Spawn 34 and 35

Writer: Uncle Todd, Artist: Jason Shawn Alexander. When he said new creative teams, apparently that meant taking over writing duties instead of “additional plot”. At the very least, that brings some consistency to the stories. In this one, Al rescues Nana or Grannie or Auntie or whatever and finds her a vampire (the only supernaturals with powers right now) as a guard. However, this king doesn’t stay ascendent for long. Then, he runs into some trouble in the alley. A gang jumps him. Without his powers, they fuck him up pretty good. I want to see where this is going. Additionally, I know JSA’s art isn’t for everyone. It took a while to grow on me, but I like it. Especially for this title. Lends it an ethereal vibe that’s almost dreamline. My verdict: Good

The Scorched 30

Writer: Layman with Uncle Todd on Additional Script, Artist: Stephen Segovia. I thought this one maintained the most consistency quality wise during the “lull”. I liked the characters and the stories the best out of all of the Spawniverse. Then, when Layman (one of my favorite comics writers) came on, I knew good things were on the horizon. Sure enough, it started to pay off here. The Scorched, even without Jessica (who spends more time dead or unconscious that most team leaders) cripple Winn’s agency by freeing Overt-Kill and allowing for the escape of Haunt and Redeemer. That all sets up quite a payoff next issue with Winn visiting Jessica and the team trying to get to the bottom of the cloning mystery. My verdict: Good, bordering on Great.

Spawn 354

Writer: Rory McConville with Uncle Todd on Additonal Script, Artist: Brett Booth. I think the main title suffered the most during the “lull”. Just an inconsistency in tone and story telling. You can blame that on the dilusion due to the new titles, but I disagree. I think they just focused too much on the heaven and hell angle and ignored the other parts of what makes the book fun. And, if you think about it, they removed al l of the powers from the characters, so that forces them to focus more on the “real world” and the boots on the ground, so to speak. Call me in a few months when I miss the supernatural part of the story. For now, though, I like what they’re doing. My verdict: Good.

The Verdict

They continue the upward trend with Spawniverse July 2024. Thankfully, because as I wrote, they changed teams on TMNT, so I won’t get another one of those for a month or so when it starts back up again. I like Jason Aaron and I trust him, but Chris makes a good point. They need to change the tone big time to fit his style.

Images courtesy of the mother ship.

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Spawniverse June 2024

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Introduction

Last month, we eschewed all other comics to celebrate the end of an era with TMNT #150. Well, the universe paid me back this month by sending only two comics from outside of the major publishers. Therefore, Spawniverse June 2024 may feel slightly underwhelming. From the looks of it, we’ll be back next month with more books. If I knew how to market better, I might say something like, “twice as many books!” which sounds impressive until you realize that two times two is four.

Gunslinger #31

Writer: Uncle Todd, Artist: Carlo Barberi. A few issues ago, Uncle Todd and company blew up the Spawniverse. Not literally, that took place in issue 300 and 301. But, they took away all of the powers of any demon, angel, and hellspawn. And, since then, at least in Gunslinger, he took the opportunity to reintroduce the character. Kind of strange only 30 issues in, but when you commit to only soft reboots, you find yourself in strange situations sometimes. Javi tells the story of his sister to a woman and then finds himself at the mercy of a medicine man who gives him a piece of his mind. As always, Barberi’s work is impeccable. I, for one, am glad that Uncle Todd spawned (pun totally intended) many artists with his style. The book doesn’t feel the same without that Uncle Todd touch. My verdict: Good.

Spawn #353

Writer: Rory McConnville (with Uncle Todd on additional script, Artist: Brett Booth. This title, similarly, spent some time in this issue reviewing the after effects of the war on hell. It also brings to light a new character and implies that character might have a deeper connection to the overall story. Perhaps I’m reading too much into it, but I feel like we’ve seen this person before in some capacity. Brett Booth, too, gives the Spawn look with his own subtle touches. Both of these books are in good hands right now. My verdict: Good.

The Verdict

It surprised me that only two books from Spawniverse June 2024 came in the shipment. But, you take the good with the bad when it comes to these titles. Decent to good stories and, usually, great artwork. But, with that comes delays. Like I say, next month looks to be back to normal.

Images taken from the mothership.

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April 2024 Independent Comics I Love

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Introduction

A few month ago, you might question the title of this series. And, honestly, you’d be right to do so. Before last month, the Spawniverse languished in mediocrity (at best) and I wondered how, or even if, Uncle Todd could pull it together. They just felt too crunched by all of the books. Honestly, it started to feel like the early days of Image with the missed deadlines and misprints. But, hopefully the upturn in quality from last month continues into April 2024 Independent comics.

Gunslinger Spawn 30

Plot/Script: Uncle Todd, Art: Carlo Barberi. in my opinion, Gunslinger suffered the most from the drop off in quality. Chris told me how much he liked the title, maybe even more than the main title. I listened to his advice and, honestly, it’s why I filled in the back issues of the other titles. Then, things started to slip and I started to lose faith. Last month brought back much of what made the title fun. Now, before I give away what I thought of this month’s issue, let me just say how much I love that cover. It brings back old school vibes in a good way. So does the story and art of this issue. A bit of a filler issue, but well done overall. My verdict: Great

King Spawn 32

Script/Plot: Uncle Todd, Art: Javi Fernandez. This book only registered with me because they revisited one of my favorite Spawn stories of the last decade, Dark Horror. So, it barely made that much of a difference to me when the quality started to decline. It always just felt like the main title’s little brother. But, I appreciate their commitment to making all of the titles better and I really enjoy the current story revolving around Al and reckoning with being mortal again. My verdict: Good.

Scorched 27

Script/Plot: John Layman with Uncle Todd on additional script, Art: Stephen Segovia. I questioned the change in tone from single hero titles to a team for this book. Eventually, it won me over and became my favorit book in the Spawniverse. Like the others, it lost some of that edge and, frankly, it bummed me out. But, with this new attempt at bringing the titles back to a higher standard, they hired John Layman to write this one. ‘Nuff said. My verdict: Good, but Layman’s still in the early phases. I expect this one to hit great sooner rather than later.

Spawn 351

Script/Plot: Rory McConville with Uncle Todd on additional script, Art: Brett Booth. I stayed with this title in spite of the fact that I wanted nothing to do with the Heaven/Hell war storyline. Then, at some point, that shifted and I started to like the story a lot. They delivered with the big finish last issue and now start to rebuild in that aftermath. I like where they’re headed and give them the benefit of the doubt. My verdict: Good.

Teenage Mutant Ninja Turtles 149

Story: Sophie Campbell with Kevin Eastman on consulting, Art: Vincenzo Federici. I make no secret that this is my favorite book since starting to collect it during The Armageddon Game. I feared a drop off (also no secret) after that story wrapped. Granted, there was a lull, but they needed to take a few episodes off before ramping back up to the big 1-5-0. Rarely does a writer click on a title like this. But, Kevin Eastman clearly cares about his heroes in a half shell so much to put them in the capable hands of Sophie Campbell. I can’t wait to see what they have in store next. My verdict: Great

The Verdict

April 2024 independent comics continues the upward trend set last month. Granted, they fell quite a bit, so an upswing was imminent. But, I’m glad to see that Uncle Todd continues the “new direction” of his titles and they’re not just a one off. Sometimes, you just need to shake things up. Unless you’re TMNT. Don’t change a damn thing.

Spawniverse on Image. TMNT with IDW.

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March 2024 Independent Comics I Love

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Introduction

I committed to Mario in March early last week. Then, as often happens in March, for some reason, I lost motivation to update the page. Well, in a lucky break, my comics arrived late last week. That gives me a week to review them and reset my brain to give Mario the respect he deserves. Last time, I never received a TMNT. However, March 2024 independent comics returns with my favorite heroes in a half shell.

Gunslinger 28 and 29

Script/Plot: Uncle Todd, Art: Dexter Soy and Carlo Barberi. It seems that my complaints made it back to the creative team in the Spawniverse. Actually, probably not. It looks like they decided to make Spawn 350 a big turning point in the various series. For what it’s worth, I’m glad they made that choice. At best, the last few months have been uneven. At worst, I saw more than one typo that never should have made it to the printer. Alas, if they continue this “new direction” as advertised, this title could rise again to be one of the best. My verdict: Good.

King Spawn 31

Script/Plot: Uncle Todd, Art: Jeremy Haun. Okay. Yes. This is more like it. I never liked King Spawn as much as the other Spawniverse titles. But, every now and then, they gave us a great issue. This one, again, promises a “new direction” and it feels more like the main title. But, the focus is on the human side of Spawn. And, the balance, at least in this issue, worked out perfectly. Also, I didn’t mention the art, but both titles very closely resemble the Uncle Todd vibe of the beginning of the book. My verdict: Good. Almost Great.

The Scorched 26

Story/Plot: John Layman with Uncle Todd on additional script, Art: Stephen Segovia. Wait a minute…John Layman. I know that name, don’t I? Yes, indeed I do. I don’t remember what introduced me to Layman, but he wrote one of my favorite comics of the last decade, Eleanor and the Egret. When I started in on the Spawniverse, too, this was my favorite of the titles. It fluctuated like the others, but I took that fluctuation harder because I enjoyed the book so much. It looks like they scheduled Layman for at least the next 3 or 4 books, too, so I have no doubts this one will rise back to the top. My verdict: Good. Bring it on, Layman.

Spawn 350

Story/Plot: Rory McConville with Uncle Todd as additional script, Art: Brett Booth and Carlo Barberi. 350 gets a big image. I mean, look at that cover. Well, we’re finally here. They’ve been building to this one for a while and I read about it in the pages of the other books. Overall, it doesn’t disappoint. They actually threw me for a loop at the one who ascended to Hell’s throne. Even with the flashback within a flashback, I still thought that one of the mains won. So, I say, “Bravo.” I wasn’t terribly keen on this story, but the end made it worth the trip. My verdict: Good.

Teenage Mutant Ninja Turtles 148

Story: Sophie Campbell with Kevin Eastman on consulting, Art: Vincenzo Federici. For some reason, I never received TMNT last month. I must say, “I missed them.” Ever since Armageddon Game, this title oscillates from Great to Really Great. I mean, I have no reference above great for these articles, but if I did, this one and She Hulk repeatedly deserve that accolades. The stories are well written and everything comes together so nicely over time. This one references 4 other issues of the book. Even so, I don’t feel lost at the self reference. It just works. My verdict: Great, as always.

The Verdict

Thank goodness for March 2024 independent comics. They bring some of the best of these books in a few months. I hope that the Spawniverse continues this trend for the future. At least from what I see, I think the new creative teams will work well and shake things up. I’ve stopped thinking that TMNT will fall off and just know that it continues to be one of the best written books out there.

Spawn images from the mothership. TMNT from their own.

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February 2024 Independent Comics I Love

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Introduction

After missing my order last month, February 2024 independent comics exist again only in the Spawn Extended Comic Universe (SECU – tm, me?). By the looks of it, TMNT 150 got pushed back by a month and I just put it on my list for next month. Therefore, prepare for my journey through the SECU for this month.

Scorched #24

Script/Plot: John Layman (with Uncle Todd on “Additional Script”, Artist: Stephen Segovia. A few issues ago, this one was my favorite of all the titles in the SECU. Yep, I’m gonna overuse that until it’s dead by the end of the article. Sorry, I miss TMNT. In regards to this issue, it serves its purpose as a bridge to show the new dynamics of the team and introduce a new character, The Viscerator. My verdict: Decent.

King Spawn #28/#30

Script/Plot: Uncle Todd, Art: Javi Fernandez. Not sure why they sent two nonsequential issues of King Spawn, but here we are. The first shows Al traveling through hell with the corpse of a demon that he killed. A few conflicts that are easily resolved and apparently the journey continues in the missing issue. Because, then, Al faces off with Wanda as his companion on the journey. I enjoyed this part of the story and Uncle Todd promises a big payoff in number 350. Also, I enjoy Javi Fernandez’s art. My verdict: Good.

Spawn #348

Story/Plot: Rory McConville with Todd McFarlane on additional script, Art: Carlo Barberi. All of these issues feel slightly underwhelming. It took until this issue and the connection to King Spawn that I understood. They’re setting us up for the big conclusion in a couple of issues. I suppose I made the initial connection in Scorched when I called it a bridge article. Well, the whole of it right now feels like a bridge. But, again, great art. My verdict: Good.

Verdict

So, the SECU (okay, I used it less than anticipated) brought mostly just a bridge (I used that more than anticipated, though, trying to avoid “filler”) between the previous story and a promised payoff in Spawn 350. February 2024 independent comics was missing something. Yes, that’s just another reason for me to write that TMNT never showed this month.

Images courtesy of the mothership.

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December 2023 Independent Comics I Love

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Introduction

The comics arrived in the mail as they always do. I wrote the plans in my book for this week. Independent on Monday. DC on Wednesday. Marvel on Friday. Then, this week came and went with no comic reviews posted to the page. Recognizing my oversight, I gave you a bonus article yesterday about the Marvel SNAP new season. Then, I reworked the plan to post all of the reviews this weekend starting with today and December 2023 Independent Comics.

In addition to the Spawniverse and TMNT that usually populate this article, DCBS sent me two copies of a new book entitled Unnatural Order. So, I tossed it into the pile and you get another bonus of an additional book reviewed in this article. With no further delay, let’s get into the books.

Unnatural Order #1

Writer: Christopher Yost, Artist: Val Rodrigues. From the back cover: After the fall of the Britons and the Roman invasion of Hibernia, the captive known only as the druid is released, sending a darkness across the world. An age of horrors, of fire and entrails, as the innocdnt burn in the wicker fields, those who would resist learn of the existence of a man who even the druid fears. for it is this prisoner, a soldier from a different time, who alone knows that druid’s secret. This is not how the world is supposed to be. They deliver on that and more in this first issue. I’ll give them that. Wild story that caught my attention. But, I’m not sure if I’ll read it or not. Might have to give it another shot to see if it’s my style of book. My verdict: Decent.

Gunslinger Spawn #26

Writer: Uncle Todd. Artist: Dexter Soy. The book got away from what makes it fun/interesting. Okay, that’s not entirely true. They just got sloppy. Rushed story and art. Repeated typos. The last two issues have been much cleaner. My verdict: Not as good a follow up to the great last issue, but still very good.

King Spawn #27

Writer: Uncle Todd. Artist: Javi Fernandez. Goes on a deep dive into Al’s past and explores how that past set him on his path to become Spawn. My verdict: It wants to be great. But, it feels either too cliche or hits too close to home for me. Almost great.

Scorched #23

Writer: John Layman. Artist: Stephen Segovia. Spawn faces off against Gaia for the soul of She-Spawn. He wins, but at what cost? Another one where I like the idea and execution, but minor flaws. My verdict: My favorite of the three and just a hair from being great.

Spawn #347

Writer: Rory McConville with additional plot from Uncle Todd. Artist: Carlo Barberi. Continues the story of the previous issues. Solid issue that advances the story and keeps things moving. Also starts to tie in the supporting issues. Solid book, but lags behind the supporting titles right now. My verdict: Good.

TMNT #147

Writer: Sophie Campbell. Artist: Vincenzo Federici. My favorite book not named She-Hulk right now. This issue is fun and funny and it fills some of the blanks at the end. Plus, a shout out to prehistoric Northampton, Massachusetts. My verdict: Great

The Verdict

Independent comics December 2023 brings some great stories. The Spawniverse is rounding into shape again. The Turtles are great as they always have been since I started reading the title during Armageddon Game. The jury remains out on Unnatural Order, but I have faith that it will be a good story if I keep reading it.

Spawn images taken from the mothership. TMNT book snapped from IDW. Unnatural Order courtesy of Vault.